Lee Newby describes the process behind designing Jeremy Herrin's production. You could be forgiven for mistaking Labour of Love for a small political play set in one room. However, the challenge of designing the show lies within its structure. Set in a North Nottinghamshire constituency office and spanning the last 27 years; the play travels back in time throughout the first act, then forward in the second, revisiting the same scenes. My first conversation with the director,