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LOS ÚLTIMOS CINCO AÑOS

POR JASON ROBERT BROWN

CASA DE JUEGOS SOUTHWARK 

Emitir

Oli Higginson, Molly Lynch

Director 

Coreógrafo

Escenógrafo y diseñador de vestuario 

Diseñador de iluminación 

Diseñador de sonido

Subdirector de escena 

Subdirector de escena  

Supervisora de Vestuario

Diseñador asistente 

Gerente de producción 

Producido por 

 

Fotografiado por 

Jonathan O'Boyle

sam spencer-lane

Lee Newby 

Jamie Platt 

Adam Fisher 

Lara Mattison 

Gracia Currie

Jessica Richardson-Smith

Tallulah Caskey

James Anderton 

 

Katy Lipson por

aria entretenimiento

DLAP

eilene davidson

 

helen maybanks

 

EL ESCENARIO 

★★★★★

Lee Newby’s designs deliver pungent period detail: a crumbling, two-storey cross section of the house exposes mildew and peeling wallpaper, the girls’ bedroom with its posters of David Essex and Starsky and Hutch, and Top of the Pops on the black-and-white television in the lounge. Janet’s scarlet nightie, memorable from the famous photograph of her ‘levitation’, is a visual motif, bright among the beige and grey.

THE STAGE

The set designed by Lee Newby, as if the family's house had been ripped open for us to peer into brings the right air of menace

THE EVENING STANDARD

★★

The greatest thing about The Enfield Haunting is undoubtedly in the visual aspect, with Lee Newby delivering a truly sensational set design painstakingly crafting both an upstairs and downstairs of the Hodgson’s home. This design helped retain your attention as your eyes darted across both levels to ensure you weren’t missing the next trick. It is just a shame such a fantastic design wasn’t utilised for a stronger show. Similarly, Neil Austin’s lighting was used to great effect with the inevitable blackouts leading to an eerie aesthetic as parts of the stage are left in darkness sporadically. The strong design aspects are completed by Carolyn Downing’s sound design, allowing for an atmospheric setting.

ALL THAT DAZZLES

★★

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